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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院冲突1945挂线情未了大富之家（1994）恐怖绘本第二季抗倭侠侣第一季爱在黑社会的日子阳光姐妹淘嗜血虎魂小市民伪行者萍水相腐檐廊下彷佛清新气息早安孟买全知战旗飘飘英雄光荣绽放——杨靖宇中国女兵鬼影实录5：鬼次元大章鱼搞事警察(美版)第二季弗兰克叔叔移动迷宫3：死亡解药再见我的微笑猎物2019悬空12小时谍影重重帕苏特里·加杰
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院冲突1945挂线情未了大富之家（1994）恐怖绘本第二季抗倭侠侣第一季爱在黑社会的日子阳光姐妹淘嗜血虎魂小市民伪行者萍水相腐檐廊下彷佛清新气息早安孟买全知战旗飘飘英雄光荣绽放——杨靖宇中国女兵鬼影实录5：鬼次元大章鱼搞事警察(美版)第二季弗兰克叔叔移动迷宫3：死亡解药再见我的微笑猎物2019悬空12小时谍影重重帕苏特里·加杰